Friday, January 20, 2017

XPL Cream Creates A 24-Hour Layer Of Skin

XPL Cream Creates A 24-Hour Layer Of Skin To Cover Up Wrinkles And Blemishes

elastic-second-skin-1
There’s no shortage of beauty products that claim to reduce wrinkles. Whether any of them work, however, is highly disputed. While the XPL, short for cross-linked polymer layer, won’t magically erase the signs of aging like those suspicious beauty products swear to do, it can literally shave decades off your face by covering your wrinkles up.
Instead of turning back the clock on your skin like most anti-aging products claim to do, this new material is designed to merely mask the signs of aging. You know, just like makeup. Except, it’s made up of a skin-like material that can be applied to any part of your skin, covering up wrinkles, crow’s feet, and any other blemish for up to 24 hours at a time.
elastic-second-skin-2
Developed by researchers from MIT and Harvard, the XPL is applied in a two-step process. In the first step, polysiloxane components are applied to the skin, after which, a platinum catalyst is added to stiffen it up into a cross-linked film that looks and feels like regular skin. While that sounds technical, both layers are actually applied in the form of creams and ointments, so it should be no more complicated than your regular beauty routine. Aside from its cosmetic functions, the material can be used to protect damaged skin similar to bandages, as well as deliver topical skin medications while ensuring it doesn’t get wiped or washed off.
A startup called Olivo Laboratories has been formed to further refine and develop XPL, with plans to bring it to market in the near future. Learn more about the research from the link below.

Kobi Garden Robot

Kobi Garden Robot Trims Grass, Mulches Leaves, And Removes Snow

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We’ve already seen robotic lawnmowers that autonomously keep your garden in tip-top shape. Kobi, however, is much more than that. Billed as an “all-season garden robot,” it’s rigged to capably mow grass, mulch leaves, and remove snow, giving you a hands-free way to maintain lawns and gardens all year round.
Just like indoor cleaning robots, the automaton will need to make a digital map of the area it will maintain.  As such, you’ll need to show it the physical parameters of your property, define the boundaries, and let it know all the fixed obstacles. From there, it will simply rely on that digital map, along with its GPS and safety sensors, to find its way around your place.
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A proactive robot, Kobi can be programmed to perform daily maintenance in your property, so your grass will always be perfectly trimmed, with absolutely no leaves in sight. During snow season, it does the same thing, removing every small amount of snow it comes across, so there’s little chance you’ll wake up with a big pile of powder. It relies on real-time weather reports (it’s connected, after all) to know whether it’s snowing, too, so it can start removing powder all on its own.
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During operation, it runs at speeds of up to 2 mph, with fully autonomous recharging, so it will find its own way to the docking station when needed. Do note, the amount of area it can cover will depend on the activity. As in, while it can maintain lawns up to 7 acres, it can only pick up leaves within a 3 acre range as well as remove snow within 0.37 acres. While that might be a concern for multi-millionaires who live in giant properties, we’re guessing that’s enough for most homeowners.
Kobi is currently in the consumer testing phase. When released, it will be priced at $3,999

Preserving Bodies in a Deep Freeze: 50 Years Later

Preserving Bodies in a Deep Freeze: 50 Years Later


Preserving Bodies in a Deep Freeze: 50 Years Later
Credit: U.S. Department of Agriculture via Flickr/CC BY-SA 2.0
(Inside Science) -- Early in the 1960s, a group of enthusiasts advanced the concept of freezing humans as soon as they die, in hopes of reviving them after the arrival of medical advances able to cure the conditions that killed them. The idea went into practice for the first time 50 years ago.
On Jan. 12, 1967, James Bedford, an emeritus professor of psychology at the University of California, became the first person to be "cyropreserved." A small team of doctors and other enthusiasts froze him a few hours after he died from liver cancer that had spread to his lungs.
A few days later the team placed the body into an insulated container packed with dry ice. Later still, Bedford was immersed in liquid nitrogen in a large Dewar container. Fifteen years on, after a series of moves from one cryopreservation facility to another, his body found a home at the Alcor Life Extension Foundation in Scottsdale, Arizona, where it still resides.
By current standards of cryonics, the procedure was remarkably untidy and disorganized. Nevertheless, a visual evaluation of Bedford's condition in 1991 found that his body had remained frozen and suffered no obvious deterioration.
"There's no date set for another examination," said R. Michael Perry, care services manager at Alcor.
But as promoters of cryopreservation celebrate the 50th anniversary of Bedford's death and freezing -- known to some as "Bedford Day" -- they emphasize improvements to the freezing and preservation procedures that Bedford's experiences advanced.
The community is also undergoing a significant change in its expectations for reviving frozen patients. Rather than planning for a Lazarus-like resuscitation of the entire body, some proponents of the technology focus more on saving individuals' stored memories, and perhaps incorporating them into robots.
Beyond the cryopreservation community, however, an aura of scientific suspicion that surrounded Bedford's freezing remains.
"Reanimation or simulation is an abjectly false hope that is beyond the promise of technology and is certainly impossible with the frozen, dead tissue offered by the 'cryonics' industry," neuroscientist Michael Hendricks of McGill University in Montreal, Canada, wrote in Technology Review.
Scientists aren't the industry's only critics.
Families of individuals designated for freezing -- including Bedford's own family -- have gone to court to protest or defend loved ones' decisions to undergo freezing.
In a more recent case, in 2011, a Colorado probate judge upheld a contract that Mary Robbins had signed with Alcor over objections from Robbins' children. And last year the High Court of England upheld a mother's right to seek cryonic treatment of her terminally ill 14-year-old daughter after her death, despite the father's wishes.
Public reaction to the technology reached its nadir in New England in 2002, when court documents revealed that Boston Red Sox baseball icon Ted Williams was frozen in the Alcor facility, with his head severed from his body. Williams' son John Henry, who arranged the process, was himself frozen after he died of leukemia.
Politics has also impacted the technology's progress. In 2004, for example, Michigan's state government voted to license a facility called the Cryonics Institute, located in Clinton, as a cemetery. That move, reversed eight years later, prevented the institute from preparing bodies for cryopreservation on its own, because applying such procedures to a dead body required the services of a licensed funeral director.
The cryonics industry flatly disagrees with its critics.
Alcor asserts on its website that "[t]here are no known credible technical arguments that lead one to conclude that cryonics, carried out under good conditions today, would not work." The company adds: "Cryonics is a belief that no one is really dead until the information content of the brain is lost, and that low temperatures can prevent this loss."
Certainly the controversies have not discouraged candidates for cryopreservation.
Worldwide, more than 250 individuals are now housed in cryonic facilities, at a minimum per-person cost of about $28,000 in the U.S.
Russia's KrioRus company offers a cut-rate level starting at $12,000, with the condition that it stores several human bodies and assorted pets and other animals in communal Dewar containers. Individual contracts can specify the length of storage. At present, the U.S. and Russia are the only countries with facilities that offer human cryopreservation.
The first attempt at cryopreservation did not go particularly smoothly.
Bedford died before all preparations for his cryopreservation were complete. So instead of draining his blood and replacing it with a customized antifreeze solution to protect the body's tissues from freezing damage, the team simply injected the antifreeze into Bedford's arteries without removing the blood.
The team then surrounded the body in dry ice, and started it on a series of transfers from one container to another that ended up in a Dewar container in Alcor's facility.
Because of those difficulties, cryonics experts feared that the body had suffered serious damage. But the examination in 1991 quelled those concerns.
"We were really relieved that he was not discolored," Perry recalled. "And corners of the ice cubes [around him] were still sharp; he had stayed frozen all the time."
In recent years, cryonics promoters have borrowed from medical advances in such fields as cryobiology and nanobiology.
To prevent ice crystals from damaging cell walls in the frozen state, cryopreservationists replace the body's blood supply with mixtures of antifreeze compounds and organ preservatives -- a technique developed to preserve frozen eggs for fertility treatments.
Another emerging approach accounts for the separation of Ted Williams' head and body. Based on studies of roundworms, promoters of cryonics argue that freezing can preserve the contents of individuals' brains even if their bodies can't be revived. That opens the possibility of downloading cryopreserved personalities into a robotic future body.
Hendricks disagrees. "While it may be possible to preserve these features in dead tissue, that is certainly not happening now," he pointed out in Technology Review.
Scientists such as Barry Fuller, a professor of surgical science and low temperature medicine at England's University College, London, emphasize that even preserving body parts in such a way that they remain viable on thawing remains a distant dream.
"There is ongoing research into these scientific challenges, and a potential future demonstration of the ability to cryopreserve human organs for transplantation would be a major first step into proving the concept," he told The Guardian. "But at the moment we cannot achieve that."
Nevertheless, Perry expresses optimism about a timeline for the revival of frozen humans.
"We think in terms of decades," he said. "Sometimes we say fifty to a hundred years."
David Gorski, a surgeon at Wayne State University Medical Center in Michigan, takes a darker view.
"Fifty years from now," he said, "it's likely that all that will remain of my existence will be some scientific papers and a faint memory held by my nieces and nephews and maybe, if I'm lucky, a few of my youngest readers."
This article is provided by Inside Science News Service, which is supported by the American Institute of Physics.

Ultrafast Camera Captures 'Sonic Booms' of Light for First Time

Ultrafast Camera Captures 'Sonic Booms' of Light for First Time

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Ultrafast Camera Captures 'Sonic Booms' of Light for First Time
This graphic shows a so-called photonic Mach cone, which is sort of like a sonic boom; but in this instance, you can see the cone-shaped wake of light pulses.
Credit: Jinyang Liang and Lihong V. Wang
Just as aircraft flying at supersonic speeds create cone-shaped sonic booms, pulses of light can leave behind cone-shaped wakes of light. Now, a superfast camera has captured the first-ever video of these events.
The new technology used to make this discovery could one day allow scientists to help watch neurons fire and image live activity in the brain, researchers say. [Spooky! Top 10 Unexplained Phenomena]
When an object moves through air, it propels the air in front of it away, creating pressure waves that move at the speed of sound in all directions. If the object is moving at speeds equal to or greater than sound, it outruns those pressure waves. As a result, the pressure waves from these speeding objects pile up on top of each other to create shock waves known as sonic booms, which are akin to claps of thunder.
Sonic booms are confined to conical regions known as "Mach cones" that extend primarily to the rear of supersonic objects. Similar events include the V-shaped bow waves that a boat can generate when traveling faster than the waves it pushes out of its way move across the water.
Previous research suggested that light can generate conical wakes similar to sonic booms. Now, for the first time, scientists have imaged these elusive "photonic Mach cones."
Light travels at a speed of about 186,000 miles per second (300,000 kilometers per second) when moving through vacuum. According to Einstein's theory of relativity, nothing can travel faster than the speed of light in a vacuum. However, light can travel more slowly than its top speed — for instance, light moves through glass at speeds of about 60 percent of its maximum. Indeed, prior experiments have slowed light down more than a million-fold.
The fact that light can travel faster in one material than in another helped scientists to generate photonic Mach cones. First,study lead author Jinyang Liang, an optical engineer at Washington University in St. Louis, and his colleagues designed a narrow tunnel filled with dry ice fog. This tunnel was sandwiched between plates made of a mixture of silicone rubber and aluminum oxide powder.
Then, the researchers fired pulses of green laser light — each lasting only 7 picoseconds (trillionths of a second) — down the tunnel. These pulses could scatter off the specks of dry ice within the tunnel, generating light waves that could enter the surrounding plates.
The green light that the scientists used traveled faster inside the tunnel than it did in the plates. As such, as a laser pulse moved down the tunnel, it left a cone of slower-moving overlapping light waves behind it within the plates.
Using a "streak camera," scientists have imaged a cone-shaped wake of light called a photonic Mach cone for the first time.
Using a "streak camera," scientists have imaged a cone-shaped wake of light called a photonic Mach cone for the first time.
Credit: Liang et al. Sci. Adv.2017;3:e1601814
To capture video of these elusive light-scattering events, the researchers developed a "streak camera" that could capture images at speeds of 100 billion frames per second in a single exposure. This new camera captured three different views of the phenomenon: one that acquired a direct image of the scene, and two that recorded temporal information of the events so that the scientists could reconstruct what happened frame by frame. Essentially, they "put different bar codes on each individual image, so that even if during the data acquisition they are all mixed together, we can sort them out," Liang said in an interview.
There are other imaging systems that can capture ultrafast events, but these systems usually need to record hundreds or thousands of exposures of such phenomena before they can see them. In contrast, the new system can record ultrafast events with just a single exposure. This lends itself to recording complex, unpredictable events that may not repeat themselves in precisely the same manner each time they happen, as was the case with the photonic Mach cones that Liang and his colleagues recorded. In that case, the tiny specks that scattered light moved around randomly.
The researchers said their new technique could prove useful in recording ultrafast events in complex biomedical contexts such as living tissues or flowing blood. "Our camera is fast enough to watch neurons fire and image live traffic in the brain," Liang told Live Science. "We hope we can use our system to study neural networks to understand how the brain works."
The scientists detailed their findings online Jan. 20 in the journal Science Advances.
Original article on Live Science.

Virtual reality

Virtual reality

Virtual reality (VR) typically refers to computer technologies that use software to generate realistic images, sounds and other sensations that replicate a real environment (or create an imaginary setting), and simulate a user's physical presence in this environment. VR has been defined as "...a realistic and immersive simulation of a three-dimensional environment, created using interactive software and hardware, and experienced or controlled by movement of the body"[1] or as an "immersive, interactive experience generated by a computer".[2]
A person using virtual reality equipment is typically able to "look around" the artificial world, move about in it and interact with features or items that are depicted on a screen or in goggles. Most 2016-era virtual realities are displayed either on a computer monitor, a projector screen, or with a virtual reality headset (also called head-mounted display or HMD). HMDs typically take the form of head-mounted goggles with a screen in front of the eyes. Programs may include audio and sounds through speakers or headphones.
Advanced haptic systems in the 2010s may include tactile information, generally known as force feedback in medical, video gaming and military training applications. Some VR systems used in video games can transmit vibrations and other sensations to the user via the game controller. Virtual reality also refers to remote communication environments which provide a virtual presence of users with through telepresence and telexistence or the use of a virtual artifact (VA). The immersive environment can be similar to the real world in order to create a lifelike experience or it can differ significantly from reality where gamers can use fictional powers.

Etymology and terminology

Paramount for the sensation of immersion into virtual reality are a high frame rate (at least 95 fps), as well as a low latency. Furthermore, a pixel persistence lower than 3 ms is required, because if not, users will feel sick when moving their head around.
In 1938, Antonin Artaud described the illusory nature of characters and objects in the theatre as "la rÊalitÊ virtuelle" in a collection of essays, Le ThÊÃĸtre et son double. The English translation of this book, published in 1958 as The Theater and its Double,[3] is the earliest published use of the term "virtual reality". The term "artificial reality", coined by Myron Krueger, has been in use since the 1970s. The term "virtual reality" was used in The Judas Mandala, a 1982 science fiction novel by Damien Broderick. "Virtual" has had the meaning "being something in essence or effect, though not actually or in fact" since the mid-1400s, "...probably via sense of "capable of producing a certain effect" (early 1400s)".[4] The term "virtual" has been used in the computer sense of "not physically existing but made to appear by software" since 1959.[4]
Virtual reality is also called "virtual realities", "immersive multimedia", "artificial reality"[5] or "computer-simulated reality". A dictionary definition for "cyberspace" states that this word is a synonym for "virtual reality", but the two terms are fundamentally different (something that is "virtual" does not necessarily need to rely on a network, for instance).[6]
Virtual reality shares some elements with "augmented reality" (or AR). AR is a type of virtual reality technology that blends what the user sees in their real surroundings with digital content generated by computer software. The additional software-generated images with the virtual scene typically enhance way the real surroundings look in some way. Some AR systems use a camera to capture the user's surroundings or some type of display screen which the user looks at (e.g., Microsoft's HoloLens, Magic Leap).

 

Everything to know about Nokia 6

Everything to know about Nokia 6

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āļļāļŊāļą්āļą āˇ„āļ¯ුāļą්⎀ාāļ¯ෙāļą āļąිāļŊ ⎀ීāļŠිāļēෝ⎀.

 

Amazon starts Prime Air drone delivery

Amazon starts Prime Air drone delivery

āļ‡āļĢ⎀ුāļ¸් āļšāˇ… āļˇාāļĢ්āļŠ āļŠ්‍āļģෝāļąා āļ¸āļŸිāļą් āļąිāˇ€āˇƒāļ§āļ¸ āļœෙāļą්⎀ා āļœāļą්āļą āļ¯ැāļą් āļ´ු⎅ු⎀āļą්.
āļ…āļ´ āļ¸ීāļ§ āļ´ෙāļģ āļŠ්‍āļģෝāļąා āļœැāļą āļ…āˇƒා āļ­ිāļļුāļĢේ āļœු⎀āļąිāļą් āļœො⎃් ⎄āļ¸ුāļ¯ා āļšāļ§āļēුāļ­ු ⎃āļŗāˇ„ා
āļ‡āˇ†්āļœāļąි⎃්āļŽාāļąāļēේ, āļ‰āļģාāļšāļēේ, ⎃ිāļģිāļēා⎀ේ āļąැāļ­āˇ„ොāļ­් āļēුāļ¯ āļœිāļąි āļ‡āˇ€ි⎅ුāļĢු āļģāļ§āļš āˇƒāļ­ුāļģු ⎄āļ¸ුāļ¯ා⎀āļą්āļ§ āļļෝāļ¸්āļļ ⎄ෙ⎅ීāļ¸ āļ´ි⎅ිāļļāļŗ āļ´්‍āļģ⎀ෘāļ­්āļ­ි⎀āļŊāļēි. āļ‰āļą් āļ´āˇƒු⎀ āļ‘āļ¸ āļŠ්‍āļģෝāļąා ⎀āļŊāļ§ āļšැāļ¸āļģා āˇƒāˇ€ිāļšāļģāļœෙāļą āļœො⎃් āļļāļŊ ⎃ීāļ¸ා⎀ේ āļĄාāļēාāļģූāļ´ āļœු⎀āļąිāļą් āļœො⎃් āļœැāļąීāļ¸āļ§āļ­් āļ‰āļą්āļ´āˇƒු⎀ ⎃ිāļąāļ¸ා⎀āļ§ āļģූāļ´āˇ€ා⎄ිāļąිāļēāļ§ āļ¸ෙāļą්āļ¸ āļ¸ිāļēු⎃ිāļš් ⎀ීāļŠිāļēෝ⎀āļŊāļ§ āļ…⎀⎁්‍āļē āļ¯āļģ්⎁āļą āļģූāļœāļ­ āļšිāļģීāļ¸āļ§āļ­් āļēොāļ¯ා āļœෙāļą, āļ¸ෑāļ­ āļšාāļŊāļēේ āļ¯ී āļŊංāļšා⎀ේ āļ´්‍āļģ⎃ිāļ¯්āļ° āļ¸āļ°්‍āļē āļ…ාāļēāļ­āļąāļēāļš් āļ¸āļ°්‍āļē āļąීāļ­ි āļšāļŠāļšāļģāļ¸ිāļą් āļąීāļ­ි⎀ිāļģෝāļ°ී āļŊෙ⎃ āļ­āļ¸ āļļāļŊāļē āļ´ෙāļą්⎀ීāļ¸āļ§āļ­් āļēොāļ¯ාāļœෙāļą āļ­ිāļļුāļĢි. āļŊෝāļšāļēේ āļ…ංāļš āļ‘āļšේ E-Commerce ⎀ෙ⎅ෙāļą්āļ¯ා ⎀āļą Amazon.com ⎀ෙāļļ් āļ…āļŠāˇ€ිāļē ⎄āļģ⎄ා āļ´ාāļģිāļˇෝāļœිāļšāļēāļą්āļ§ āļˇාāļĢ්āļŠ āˇ€ිāļšිāļĢීāļ¸ේ āļ¯ී āļ”⎀ුāļą්āļ§ āļ…⎀⎁්‍āļē āļ­ැāļąāļ§āļ¸ āļ’⎀ා āļģැāļœෙāļąāˇ€ිāļ­් āļ¯ීāļ¸ේāļ¯ීāļ­් āļŊො⎀ āļ…āļą් ⎃ිāļēāļŊ්āļŊāļ§āļ¸ āˇ€āļŠා āļ‰āļ¯ිāļģිāļēෙāļą් ⎃ිāļ§ිāļą āļ…āļ­āļģ āļ”⎀ුāļą් āļ­āļ¸ āļŠිāļŊි⎀āļģි ⎃ේ⎀ා⎀ āļ¯ිāļœිāļą් āļ¯ිāļœāļ§āļ¸ āļšාāļģ්āļēāļš්‍⎂āļ¸ āļšāļģāļ¸ිāļą් ⎀āļģ්āļ­āļ¸ාāļąāļēේ āļ‡āļ¸āˇƒāļą් āļ´්‍āļģāļēිāļ¸් āļ‘āļēාāļģ් (Amazon Prime Air) ⎄āļŗුāļą්⎀ා āļ¯ෙāļ¸ිāļą්, āļ¯ැāļą් āļ´ාāļģිāļˇෝāļœිāļšāļēāļą්āļ§ āļ­āļ¸ āļˇාāļĢ්āļŠ āļœු⎀āļąිāļą් āļœෙāļ¯āļģāļ§ āļœෙāļą්⎀ා āļœැāļąීāļ¸ේ ⎃ේ⎀ා⎀āļš් āļš්‍āļģිāļēාāļ­්āļ¸āļš āļšāļģ āļ­ිāļļෙāļąāˇ€ා.

āļ‡āļ¸āˇƒāļą් āļ´්‍āļģāļēිāļ¸් āļ‘āļēාāļģ් āļ´්‍āļģāļŽāļ¸ āļŠිāļŊි⎀āļģි āļ‘āļš āļ´āˇƒුāļœිāļē āļ¯ිāļąෙāļš āļ‘ංāļœāļŊāļą්āļ­āļēේ āļ¯ී ⎃ිāļ¯ු⎀ු āļ…āļ­āļģ, āļ‡āļĢ⎀ුāļ¸් āļąැāļ­āˇ„ොāļ­් āļ•āļŠāļģāļē āļš්āļŊිāļš් āļšිāļģීāļ¸ෙāļą් ⎀ිāļąාāļŠිāļēāļšāļ§ āļ´āˇƒු⎀ āļ‡āļĢ⎀ුāļ¸් āļˇාāļĢ්āļŠ āļ´ාāļģිāļˇෝāļœිāļšāļēාāļœේ āļąිāˇ€āˇƒේ āļ¸ිāļ¯ුāļŊāļ§āļ¸ āļœු⎀āļąිāļą් āļœො⎃් āļŊāļļා āļ¯ෙāļą්āļąāļ§ āļ‡āļ¸āˇƒāļą් āļšāļ§āļēුāļ­ු āļšāˇ…ේ āļŠිāļŊි⎀āļģි ⎃ේ⎀āļēේ āļ¯ැ⎀ැāļą්āļ­ āļ‰āļ¯ිāļģි āļ´ිāļ¸්āļ¸āļš් āļ­āļļāļ¸ිāļą්. āļ‘āļ¸ āˇƒිāļ¯ු⎀ීāļ¸ āļ´āˇ„āļ­ිāļą් āļļāļŊāļą්āļą.


https://www.youtube.com/watch?v=vNySOrI2Ny8

 āļ‡āļ¸āˇƒāļą් ⎃āļ¸ාāļœāļ¸ේ ⎃ීāļœ්‍āļģ āļ­ාāļš්‍⎂āļĢිāļš āļ¯ිāļēුāļĢු⎀āļš් āļąāˇ€ෝāļ­්āļ´ාāļ¯āļą āļš්‍āļģāļ¸āˇ€ේāļ¯āļēāļą්āļœෙāļą් āļ‡āļ­ි āļšāļģāļœෙāļą āļ‡āļ­ි āļšාāļģ්āļēāļš්‍⎂āļ¸āļ­ා⎀ āļŊො⎀ āļ´ුāļģා āļ´ාāļģිāļˇෝāļœිāļšāļēāļą් āļ…āļ­āļģ āļ…āˇƒීāļ¸ිāļ­ āļĸāļąāļ´්‍āļģිāļēāļ­්⎀āļēāļš් āļŊāļš්āļšāļģ āļœෙāļą āļ‡āļ­ි āļļ⎀āļ§ āˇ„ොāļŗāļ¸ āˇƒාāļ°āļšāļē āļ‡āļ¸āˇƒāļą් āļ´්‍āļģාāļģāļ¸්āļˇāļšāļēා (Founder) āˇƒāˇ„ āļ´්‍āļģāļ°ාāļąිāļēා ⎀āļą āļĸෙ⎆් āļļෙ⎃ෝ⎃් 2016āļ¯ී āļšāˇ… ⎃ංāļœāļĢāļąāļē āļ…āļąු⎀ āļŊො⎀ 04 ⎀ැāļąි āļ°āļąāˇ€āļ­්āļ¸ āļ´ුāļ¯්āļœāļŊāļēා āļŊෙ⎃ ⎁්‍āļģේāļĢීāļœāļ­ āˇ€ීāļ¸āļēි.

760mph trains

760mph trains

This could seriously speed up your commute (Hyperloop)
This could seriously speed up your commute (Hyperloop)
Hate commuting? Imagine, instead, your train carriage hurtling down a tunnel at the same speed as a commercial jet airliner. That’s the dream of PayPal, Tesla and SpaceX founder Elon Musk. His Hyperloop system would see ‘train’ passengers travel at up to 760mph through a vacuum tube, propelled by compressed air and induction motors. A site has been chosen with the goal of starting test runs in two years. Once built, the loop will ferry passengers between San Francisco and LA in 35 minutes, compared to 7.5 hours by train.

Google Glass

Google Glass

Augmented Reality has already gotten into our life in the forms of simulated experiment and education app, but Google is taking it several steps higher with Google Glass. Theoretically, with Google Glass, you are able to view social media feeds, text, Google Maps, as well as navigate with GPS and take photos. You will also get the latest updates while you are on the ground.
(Image Source: YouTube)
It’s truly what we called vision, and it’s absolutely possible given the fact that the Google’s co-founder, Sergey Brin has demo’ed the glass with skydivers and creatives. Currently the device is only available to some developers with the price tag of $1500, but expect other tech companies trying it out and building an affordable consumer version.

Tuesday, January 17, 2017

            āļœීāļ­āļē āļēāļąු..........

                    ⎃ිං⎄āļŊ āļˇා⎂ා ⎀්‍āļē⎀⎄ාāļģāļē āļ­ු⎅ āļœී, āļœීāļ­,āļœීāļ­ිāļšා āļ†āļ¯ි ⎀āļ āļą āļ¯āļš්āļąāļ§ āļŊැāļļුāļĢ āļ¯ āˇ€āļ­්āļ¸āļą් āļˇා⎀ිāļ­āļē āļ­ු⎅ āļ´්‍āļģāļ āļŊිāļ­ āˇ€ී āļ‡āļ­්āļ­ේ āļœීāļ­āļē āļēāļą්āļąāļēි.āļœීāļ­āļē āļēāļą āˇ€āļ āļąāļē āļ‰ංāļœ්‍āļģී⎃ි āļļ⎃ිāļą් āļœීāļ­āļē āļąāļ¸් ⎀āļą āļ…āļ­āļģ āļ¯āļ¸ි⎅ āļļ⎃ිāļą් 'āļ´ාāļ§්āļ§ු 'āļąāļ¸් ⎀ේ. 
                        āļœීāļ­āļē āļēāļąු āļšුāļ¸āļš් āļ¯ āļēāļą්āļą āˇ€ි⎀ිāļ° āļ…āļģ්āļŽāļšāļŽāļą āļģා⎁ිāļēāļš් āļ¯āļš්āļąāļ§ āļ‡āļ­.

                           "āļœාāļēāļąāļē āļšāˇ… ⎄ැāļšි āļ´āļ¯්‍āļē āļąිāļļāļą්āļ°āļē .⎀ාāļ¯āļąāļē āļģ⎄ිāļ­āˇ€ ⎄ෝ āļģ⎄ිāļ­āˇ€  āļœාāļēāļąා āļšිāļģීāļ¸ āˇƒāļŗāˇ„ා 
                              āļģāļ ිāļ­ āļ´āļ¯්‍āļē āļąිāļļāļą්āļ°āļē"  
                                                                                             - ⎃ිං⎄āļŊ ⎃ා⎄ිāļ­්‍āļē ⎁āļļ්āļ¯ āļšෝ⎂āļē-

                           "āļąූāļ­āļą āˇ€්‍āļē⎀⎄ාāļģāļēේ āļœීāļ­ āļēāļą්āļąෙāļą් āļ…āļ¯āˇ„āˇƒ් ⎀āļąුāļēේ ⎀ාāļ¯āļąāļēāļ­් ⎃āļ¸āļŸ āļœාāļēāļąāļē āļšිāļģීāļ¸ āˇƒāļŗāˇ„ා 
                               āļąිāļļāļą්āļ°ිāļ­ āļ•āļąෑāļ¸ āļšāļŊා āļąිāļģ්āļ¸ාāļĢāļēāļšි"
                                                                                            -āļ’.⎀ී.⎃ුāļģ⎀ිāļģ(⎃ා⎄ිāļ­්‍āļē ⎀ිāļ ාāļģ āļ´්‍āļģāļ¯ීāļ´ිāļšා⎀)

                                 āļ¸ෙāļŊෙ⎃ āļ…āļģ්āļŽāļšāļŽāļą āˇ€ූ āļœීāļ­āļē āļ…āļą් āļšāļŊා āļ¸ාāļ°්‍āļēāļēāļą් āļ…āļ­ුāļģිāļą් āļĨාāļ­ීāļ­්⎀āļēāļš් āļ¯āļš්⎀āļąු āļŊāļļāļą්āļąේ āļšāˇ€ිāļēāļ§āļēි.āļ‘āļēāļ§ āˇ„ේāļ­ු⎀ ⎀āļą්āļąේ āļœීāļ­āļēāļš් āļąිāļģ්āļ¸ාāļĢāļē ⎀ීāļ¸ āˇƒāļŗāˇ„ා ⎃ෑāļ¸āˇ€ිāļ§āļ¸ āļšා⎀්‍āļēාāļ­්āļ¸āļš āļģāļ āļąāļēāļš් āļēොāļ¯ා āļœැāļąීāļ¸āļēි.āļœීāļ­āļē ⎄ා āļšා⎀්‍āļē āļ…āļ­āļģ āļ´āˇ€āļ­ිāļą āˇ€ෙāļąāˇƒ්āļšāļ¸් āļģැ⎃āļšි.
                                     āļšāˇ€ිāļē āļēāļąු āļ’āļš āļ´ුāļ¯්āļœāļŊ āļšāļŊා āļ¸ාāļ°්‍āļēāļēāļšි.āļ¸ෙāļē āļ‡āˇƒāļ§ āˇ„ා āļļුāļ¯්āļ°ිāļēāļ§ āļœොāļ āļģ ⎀āļą āļ…āļ­āļģ āļˇා⎂ා āļˇා⎀ිāļ­āļēāļ§ āˇƒීāļ¸ා āļąැāļ­.āļšāˇ€ිāļēෙ⎄ි āļ†āļšෘāļ­ි ⎄ා ⎀ිāļģිāļ­් ⎃ැ⎃āļŗ‍ෙāļąුāļēේ ⎀āļ āļą āļ´ාāļ¯āļš āļšොāļ§ āļœෙāļąāļē. āļąāļ¸ුāļ¯ු āļœීāļ­āļē āļēāļąු ⎃ාāļ¸ූ⎄ිāļš āļšāļŊා āļ¸ාāļ°්‍āļēāļēāļšි.āļšāļąāļ§ āˇ„ා āļļුāļ¯්āļ°ිāļēāļ§ āļœෝāļ āļģ ⎀āļą āļ…āļ­āļģ āļœීāļ­āļēෙ⎄ි āļˇා⎂ා⎀ ⎃ුāļœේāļē ⎀ිāļē āļēුāļ­ුāļē.āļ¸ෙ⎄ි āļ†āļšෘāļ­ි ⎄ා ⎀ිāļģිāļ­් ⎃ැ⎃āļŗෙāļąුāļēේ ⎀āļ āļą āˇ„ා ⎃ංāļœීāļ­āļē āļ´ාāļ¯āļšāļšොāļ§ āļœāļąිāļ¸ිāļąි.
                                    āļ¯ේ⎁ිāļē ⎃ා⎄ිāļ­්‍āļē ⎀ි⎂āļēෙ⎄ි āļąාāļŠāļœāļ¸් āļēුāļœāļē āļ‡āļģāļšීāļ¸āļ­් ⎃āļ¸āļŸāļ¸ āˇƒංāļœීāļ­ āļąිāļģ්āļ¸ාāļĢāļēāļą්⎄ි āļ¯ාāļēāļšāļ­්⎀āļē āļœීāļ­āļē ⎃āļ¸āļŸ āļ“āļą්āļ¯්‍āļģිāļē ⎀ āļļāļ¯්āļ° āˇ€āļą්āļąāļ§ āˇ€ිāļē.āļ´ෙāļģāļ´āļģ āļ¯ෙāļ¯ිāļœ āˇƒංāļœීāļ­āļēāļą්⎄ි ⎃āļ¸්āļ¸ි⎁්‍āļģāļĢāļē ⎀ීāļ¸āļ­් ⎃āļ¸āļŸāļ¸ āļœීāļ­ āļšāļŊා⎀āļšāļ§ āļ¸ං ⎃ෑāļ¯ෙāļą්āļąāļ§ āˇ€ිāļē.āļ¸ෙāļŊෙ⎃ āļ¯āˇ„ āļ…āļ§āˇ€āļą āˇƒිāļēāˇ€āˇƒේ āļąාāļŠāļœāļ¸ āļļි⎄ි⎀ිāļ¸ේ āļ´āļ§āļą් āļ…āļ¯ āļ¯āļš්⎀ා ⎀ි⎀ිāļ° āļ…āļ¯ිāļēāļģ āļœāļĢāļąා⎀āļš් ⎃āļ¸āļ­ිāļš්‍āļģāļ¸āļĢāļē āļšāļģāļ¸ිāļą් āļœීāļ­āļē āļļො⎄ෝ āļ¯ුāļģāļš් āļ´ැāļ¸ිāļĢ āļ­ිāļļේ.

                              āļąාāļŠāļœāļ¸් āļœී āļēුāļœāļē,āļąූāļģ්āļ­ි āļœී āļēුāļœāļē,āļ§ීāļ§āļģ් āļēුāļœāļē,āļļāļēිāļŊා,āļšැāļģොāļŊ්,āļ´āˇƒāļą්,āļšāļą්āļ­ාāļģු,āļœ්‍āļģැāļ¸āˇ†ෝāļą් āļœි āļēුāļœāļē,āļœු⎀āļą් ⎀ිāļ¯ුāļŊි āļœී,āļ ිāļ­්‍āļģāļ´āļ§ āļœි,⎀ේāļ¯ිāļšා āļąාāļ§්‍āļē āļœී,āļšැ⎃āļ§්āļ´āļ§ āļœී,āļ´්‍āļģ⎃ංāļœ āļœී,⎃ංāļēුāļš්āļ­ āļ­ැāļ§ි āļœී āļ¯āļš්⎀ා āļēුāļœ āļœāļĢāļąා⎀āļš් āļ´āˇƒු āļšāļģāļ¸ිāļą් āļ´ැāļ¸ීāļĢ āļ­ිāļļේ. 
                            āļ¸ෙāļŊෙ⎃ ⎀ි⎀ිāļ° āˇෛāļŊීāļą් āļ…āļąු⎀ āļ¯ āļœීāļ­āļēේ āļ´ිāļē⎀āļģ āļ´ෘāļŽුāļŊ ⎀ී āļ‡āļ­.⎃āļģāļŊ āļœීāļ­,āļšāļ´ිāļģිāļ¤්āļ¤ා āļļāļēිāļŊා āļœීāļ­,āļˇා⎂ා āļ¸ි⎁්‍āļģිāļ­ āļœීāļ­,āļ­āļąු⎀āļ§ āļŊිāļēූ āļœීāļ­,āļģැāļ´් āļœීāļ­ āˇ€ැāļąි āļąāˇ€්‍āļē āļœීāļ­āļēāļą් āļ¯āļ‡āˇƒුāļģිāļą් āļœීāļ­āļēේ ⎀ිāļšා⎁āļąāļē ⎃ිāļ¯ු ⎀ූ āļ…āļēුāļģු āļ´ැ⎄ැāļ¯ිāļŊි ⎀ේ.
                                āļ¸ෙāļŊෙ⎃ āļ†āļģāļ¸්āļˇ āˇ€ූ āļœීāļ­ āļšāļŊා⎀ āļ‡āˇƒුāļģෙāļą් āļ­ෝāļģාāļœāļą්āļąා āļŊāļ¯ āļœීāļ­ āļ´āˇ„āļš් āļ´ි⎅ිāļļāļŗ āļģāˇƒāˇ€ිāļą්āļ¯āļąāļēāļ§ āļēොāļ¸ු āļšāļģ āļļāļŊāļ¸ු.



Sunday, January 15, 2017


                                  āļ¯āˇ„⎀āļŊ් āļ†āˇ„ාāļģāļē ⎃āļ¯āˇ„ා ⎃āļšāˇƒ් āļšිāļģීāļ¸āļ§ āļąිāˇ€āˇƒ āļ­ු⎅ āļ­ිāļļුāļĢේ ⎀āļ§්āļ§āļš්āļšා āļšෑāļŊ්āļŊāļš් āļ´āļ¸āļĢි.āļ‡āļē ⎀⎄ා āļļāļ­āļš් ⎄ා ⎀āļ§්āļ§āļš්āļšා ⎀ෑංāļĸāļąāļēāļš් āļ´ි⎅ිāļēෙāļŊ āļšāļģ āļ­āļ¸ āļ‡‍āļœෙ⎄ි āļ¯ැ⎀āļ§ෙāļ¸ිāļą් ⎃ිāļ§ි āļŊොāļšු āļ´ුāļ­ා ⎃āļŗāļģුāļ§ āļļāļ­් āļ´āļ­āļš් āļļෙāļ¯ා āļ¯ී āļ´ුāļ§ු⎀āļš āˇ€ාāļŠිāļšāļģ⎀ා āļ­ැāļļීāļē.āļ­āļ¸ āļ…āļ­ āļ¯āļģු⎀ා āļ­āˇ€āļ¸āļ­් ⎃ු⎀ āļąිāļą්āļ¯ේ āļ´āˇƒු⎀āļą āļļැ⎀ිāļą් āļ‡āļē āļģාāļ­්‍āļģී āļ†āˇ„ාāļģāļē āļ´ි⎃ූ ⎀⎅ං āļ´ිāļŸāļą් ⎃ෝāļ¯āļą්āļąāļ§ āļąිāˇ€āˇƒāļ§ āļ‘āļ´ිāļ§ිāļą් āļ­ිāļļූ āļšāļģාāļ¸āļē āļ…āˇƒāļŊāļ§ āļœිāļēා āļē.

                                    ⎃ූāļģ්āļēāļēා ⎀ිāļŊි⎃්⎃āļ¸ිāļą් āļ­ිāļļූ ⎃ිāļē āļ¯āļ­් āļ´ෙ⎅ āļ‘āļšෙāļąෙ⎄ිāļ¸ āˇƒāļŸāˇ€ා āļœāļ­්āļ­ේ āļē.āļ…āļŗුāļģු ⎀āļŊා⎀āļą් āļģුāļ¯ුāļģු ⎀ූ ⎃ූāļģ්āļēāļēා āˇ€āˇƒා āļœāļ­්āļ­ේ āļ‰āļą්āļ¯ිāļ§ āˇƒෙ⎀āļąāļš් āļŊāļļා āļ¯ීāļ¸āļ§ āļē.⎀ැ⎄ි āļļිāļŗු āļ‘āļšිāļąෙāļš āļļිāļ¸ āļ´āļ­ිāļ­ āˇ€ූāļēේ āļ‡āļēāļœේ āļœāļ­āļ§ āˇƒි⎃ිāļŊāļš් āļŊāļļා āļ¯ීāļ¸āļ§ āļē.āļ´ැāļē āļ­ුāļą āˇ„āļ­āļģāļš් āļ¸ු⎅ුāļŊ්āļŊේ āļ‡āļ¯ āˇ„ැāļŊෙāļą āļ¸ුāļģුāļœāˇƒāļą් ⎀āļģු⎃ා⎀ āļ¯ෙ⎃ ⎃āļŗāļģු āļļāļŊා ⎃ිāļ§ිāļēේ āļšි⎃ිāļ¯ු ⎄ැāļŸීāļ¸āļšිāļą් āļ­ොāļģ⎀ āļē.āļ”⎄ුāļœේ āļļāļ­්āļ´āļ­ āļ¯ āˇƒීāļ­āļŊ ⎀ී āļ­ිāļļූ āļ…āļ­āļģ āļ´ැāļē āļ­ුāļą āˇ„āļ­āļģ āļ´ුāļģා⎀āļ§ āļ‘āļšāļ¯ු āļļāļ­් āļšāļ§āļš් ⎄ෝ āļšෑ āļļ⎀āļ§ āļšි⎃ිāļ¯ු ⎃āļŊāļšුāļĢāļš් āļąො⎀ී āļē.

                   "⎃āļģāļĢāļ´ාāļŊ āļ¸ාāļ¸ේ........āļ‰āļą්āļ¯ි āļ…āļš්āļšා āļ§ැāļ´් āļ‘āļš āˇ…āļŸ āˇ€ැāļ§ිāļŊා āļ‰āļą්āļąāˇ€ා.⎃ි⎄ිāļēāļ­් āļąෑ.
                       āļ¸ං ⎄ිāļ­āļą්āļąේ         ⎀ැ⎃්⎃ ⎀⎄ිāļą්āļąāļ­් āļšāļŊිāļą් ⎀ැāļ§ිāļŊා āļ­ිāļēෙāļą්āļąේ..."

                      āļģāļĸිāļ­ āļšෑāļœāˇƒāļ¸ිāļą් ⎃āļģāļĢāļ´ාāļŊāļœේ āļąිāˇ€āˇƒāļ§ āļ´ැāļ¸ිāļĢිāļēේ āļē.⎃āļģāļĢāļ´ාāļŊāļ­්, āļģāļĸිāļ­āļ­්,āļšු⎃ුāļ¸āļŊāļ­ාāļ­් āļ‰āļš්āļ¸āļąිāļą් āļ¸ āļ‡āļē ⎀ āļģෝ⎄āļŊ ⎀ෙāļ­ āļģැāļœෙāļą āļœිāļē⎄.āļ’ āˇ€āļą āˇ€ිāļ§ āļĸāļēāļą්āļ­ āļ¯ āļ¸ෙāļ¸ āļ´ු⎀āļ­ āļ†āļģංāļ ි ⎀ී āļģෝ⎄āļŊ ⎀ෙāļ­ āļ¯ි⎀ āļœිāļēේ āļ‹āļą්āļ¸āļ­්āļ­āļšāļēāļšු āļ´āļģිāļ¯්āļ¯ෙāļąි.

             āˇ€ෛāļ¯්‍āļē⎀āļģāļēා āļ‡āļē⎀ āļ´āļģීāļš්⎂ාāļšāļģ āļļāļŊා ⎃ිāļē ⎄ි⎃ āļ´āˇ„āļ­් āļšāļģ āļœāļ­්āļ­ේ āļē.

                         "āļĸāļēāļą්āļ­āļēා āļ¯ැāļą් āļļොāļģු⎀āļ§ āˇ„ැāļ´ි ⎄ැāļ´ී āļ…āļŦāļąāˇ€ා.āļ•āļšා āļœāˇ„āļ´ු āļ´ාāļģāļš් ⎀ැāļģāļ¯ිāļŊා āļ­āļ¸āļēි
                              āļ¸ේ āļ…⎄ිං⎃āļšී āļ¸ැāļģුāļĢේ."

             āļ‰āļą්āļ¯ිāļœේ āļ…āˇ€āˇƒāļą් ⎄ු⎃්āļ¸ āļ´ොāļ¯ āˇ€ාāļ­āļŊāļēāļ§ āļ¸ු⎃ු⎀ෙāļ¯්āļ¯ී āļģැ⎃්⎀ ⎃ිāļ§ි āļ´ිāļģි⎃āļœේ āļ¯ෙāļąෙāļ­් āļšāļŗුāļිāļą් āļļāļģ⎀ිāļē.

Monday, January 2, 2017

       "  āļ…āļģ ⎅āļŸāļ¯ි ⎄āļ¸්āļļ⎀ුāļĢ āˇ…āļ¸āļēා āļšāļ§්āļ§āļŠිāļēāļœෙ āļšිāļēāļŊāļąේ āļĸāļēāļą්āļ­ āļ’āļšිāļ§ āļœāˇ„āļąāˇ€ා āļšිāļēāļą්āļąේ."

             āļ¸ෙ⎃ේ ⎀ි⎀ිāļ°ාāļšාāļģāļēෙāļą් āļšāļ§āļšāļ­ා āļœāļ¸āļ´ුāļģා āļ´ැāļ­ිāļģ āļēāļ¯්āļ¯ී āļ‰āļą්āļ¯ිāļœේ āļ…āˇƒāļąීāļ´ āļ­āļ­්āļ­්⎀āļē ⎀āļŠ  āˇ€āļŠාāļ­් āļ‹āļœ්‍āļģ ⎀āļą්āļąāļ§ āˇ€ිāļē.āļšāļŊ් āļœāļ­ āˇ€āļą āˇ€ිāļ§ āļ‡āļēāļœේ ⎃ි⎄ිāļē ⎀ිāļšāļŊ් ⎀āļą්āļąāļ§ āļ´āļ§āļą් āļœāļ­්āļ­ේ āļē.

                 " āļ¯āļą්āļąāˇ€āļ¯ āļ…āļš්āļšේ,āļ…āļģ āļ‘⎄ා āļœෙāļ¯āļģ āļšāļšිāļ­ා āļ­āļģāļ¸් āļœිāļąි āļļෝāļ¸්āļļāļēāļš් āļ­āˇ€āļ­් āļ¸ේ āļœāļ¸ේ āļąෑ."

                  "⎃āļģāļĢāļ´ාāļŊāļēා āļ¸āļœේ āļ¸ිāļąි⎄āļ§ āļļොāļą්āļą āļ¯ීāļŊා āļ’ āļ¸ිāļąි⎄⎀ āļąැāļ­ි āļšāļģāļŊා āļ¯ැāļ¸්āļ¸ා.āļ•āļšාāļ§ āˇ„ොāļŗāļš් āļąāļ¸්                           ⎀ෙāļą්āļą āļ‘āļ´ා āļ¯ෙ⎀ිāļēāļąේ."
                     āļ‰āļą්āļ¯ි ⎄ිāļ§ි ⎄ැāļ§ිāļēෙāļ¸ āˇƒි⎄ිāļē ⎀ිāļšāļŊ් ⎀ීāļ¸ āˇ„ේāļ­ු⎀āļą් āļąිāļģāļąිāļ­āļģ āļ‡āļēāļœේ āļ‹āļ¯āˇ€් āļ´āļ¯āˇ€්⎀āļ§ āˇƒිāļ§ි āļ…āļēāļ§ āļļැāļą āˇ€ැāļ¯ීāļ¸āļ§ āļ´āļ§āļą් āļœāļ­්āļ­ාāļē.

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                      "āļŠෙāļą්āļą...............āļŠෙāļąා ..................āļŠෙāļąෝ......."

                                     āļĸāļēāļą්āļ­ āļŊ⎄ි āļŊ⎄ිāļēේ āļ¸ āļ­ො⎀ිāļŊāļēāļš් ⎃ූāļ¯ාāļąāļ¸් āļšāˇ…ේ āļ­āļ¸ āļļිāļģිāļŗāļ§ āļēāļš්⎂āļēāļšු āļ†āˇ€ේ⎁ ⎀ී āļ‡āļ­ැāļēි ⎃ිāļ­āļ¸ිāļąි.āļ‰āļą්āļ¯ි ⎃ිāļ¸ෙāļą්āļ­ි āļ´ො⎅⎀ āļ¸āļ­ āļ‘⎅āļą āļŊāļ¯ āļ´ැāļ¯ුāļģෙ⎄ි ⎀ැāļ­ිāļģී ⎃ිāļ§ි āļ…āļ­āļģ āļ…āˇƒāļŊ්⎀ා⎃ී⎄ු āļ‡āļē⎀ ⎀āļ§āļšāļģāļœෙāļą āˇƒිāļ§ිāļē⎄.

                         " āļ…āļąේ āļ¸ාāļ¸ේ āļ•⎀ා āļšāļģāļŊා ⎀ැāļŠāļš් āļąෑ.āļ¸āļ¸ āļ¸ැāļģෙāļą්āļą āļēāļą්āļąේ."

                         āļ‰āļą්āļ¯ි āļœුāļģුāļą්āļąාāļą්⎃ේ āļ¸ාāļ¸ාāļ§ āļ´ැāˇ€āˇƒු⎀ේ ⎃ි⎄āļ‘ිāļą් āļšෙāļŗිāļģිāļŊිāļŊāļš් āļ¯ āˇƒāļ¸āļœිāļąි.

                            "āļ…āļąේ āļĸāļēේ....āļ¸āļœෙ āļ¯āļģු āļ´ැāļ§āˇ€් āļ¯ෙāļą්āļąා ⎄ොāļŗāļ§ āļļāļŊාāļœāļą්āļą."

                         āļ‰āļą්āļ¯ි āļĸāļēāļą්āļ­ āļ¯ෙ⎃ āļļāļŊා āļ´ැāˇ€āˇƒු⎀ාāļē.āļ¸ේ ⎀āļą āˇ€ිāļ§ āļĸāļēāļą්āļ­āļœේ āļ‰āˇ„ āļ¸ො⎅ āļģāļ­් ⎀ෙāļ¸ිāļą් āļ­ිāļļුāļĢි.

                          āļ‰āļą්āļ¯ි ⎀ිāļ§ෙāļš āļ…āˇƒāļŊ්⎀ා⎃ීāļą්āļ§ āļļැāļą āļ…āļŦāļœāˇ„āļą්āļąāļ§āļ­් ⎀ිāļ§ෙāļš āļ”⎀ුāļą්āļœේ ⎄ොāļŗ āļ´ැāˇ€āˇƒීāļ¸āļ§āļ­් āļ´āļ§āļą් āļœāļ­්āļ­ා āļē.⎃ිāļēāļŊ්āļŊāļą්āļœේāļ¸ āļ¯ෑ⎃් āļēොāļ¸ු ⎀ āļ­ිāļļුāļĢේ āļ‰āļą්āļ¯ි ⎀ෙāļ­āļ§ āļē.āļ‡āļ­ැāļ¸්⎄ු āļ¸ු⎀ āļ…āļēාāļœෙāļą āˇƒිāļ¯ු⎀āļą āˇƒිāļēāļŊ්āļŊ āļ¯ෙ⎃ āļ…⎀āļ°ාāļąāļēෙāļą් āļ´āˇƒු ⎀ූ⎄.

                              āļ­ො⎀ිāļŊāļēෙāļą් āļ´āˇƒු ⎃āļ¸්āļ´ූāļģ්āļĢ āˇƒු⎀āļē āļąොāļŊāļ¯ āˇ€ු⎀ āļ¯ āļ­āļ¸ āļąිāˇ€āˇƒේ ⎄ා āļ¯āļģු āļ¯ෙāļ¯ෙāļąාāļœේ ⎃ිāļēāļŊු āļšāļ§āļēුāļ­ු āļšිāļģීāļ¸āļ§ āļ­āļģāļ¸් āļ‡āļēāļ§ āˇƒු⎀āļēāļš් āļ­ිāļļිāļĢි

                                āļ¸ෙāļŊෙ⎃ ⎃āļ­් āļ¯ිāļąāļš් āļ‰āļš්āļ¸āˇ€āļą āļ¯ිāļą āļ‰āļģිāļ¯ා āļ¯ිāļąāļš් ⎀ිāļē.āļ‡āļē ⎃ුāļ´ුāļģුāļ¯ු āļ´āļģිāļ¯ි āļąිāˇ€āˇƒ āļ´ිāļģි⎃ිāļ¯ු āļšāļģ āļ¯āļ¸ා āļŊ⎄ි āļŊ⎄ිāļēේ āļ­āļ¸ āļ¯āļģු⎀āļą්āļœේ āļ¯āˇ„⎀āļŊ් āļ†āˇ„ාāļģāļē ⎃ූāļ¯ාāļąāļ¸් āļšāˇ…ාāļē.

                   āļ‰āļą්āļ¯ිāļœේ āļ¸āˇ€්āļ´ිāļēāļą් āļ¸ෙāļ¸ āˇƒāļ¸්āļļāļą්āļ°āļēāļ§ āļ¯ැāļŠි āļŊෙ⎃ ⎀ිāļģුāļ¯්āļ° āˇ€ු⎀ āļ¯ āļ‡āļēāļœේ āļļāļŊ⎀āļ­් āļ†āļēාāļ āļąāļē āļ¸āļ­ āļ…āļšāļ¸ැāļ­්āļ­ෙāļą් ⎀ු⎀ āļ¯ āļ‘āļēāļ§ āļ…āˇ€āˇƒāļģ āļ¯ීāļ¸āļ§ āļ”⎀ුāļą්āļ§ āˇƒිāļ¯ු⎀ිāļē.āļ¯ෙāļ´ාāļģ්⎁⎀āļēේāļ¸ āļ†āˇිāļģ්⎀ාāļ¯āļē āļ¸ැāļ¯ āļ‰āļą්āļ¯ි āļĸāļēāļą්āļ­ āˇƒāļ¸āļœ āļ‘āļš āˇ€āˇ„āļŊāļš් āļēāļ§āļ§ āˇ€ූāļēේ āļ¯āˇ„āˇƒāļšුāļ­් āļļāļŊාāļ´ොāļģොāļ­්āļ­ු ⎄āļ¯āˇ€āļ­ෙ⎄ි āļ´ුāļģ⎀ාāļœෙāļą āļē. āˇ€āˇƒāļģāļš් āļ´āļ¸āļĢ āˇƒāļ­ුāļ§ිāļą් āļĸී⎀āļ­් ⎀ූ āļ¸ේ āļšැāļ¯ැāļŊ්āļŊāļ§ āļšāļą āļšොāļšා ⎄ැāļŦු⎀ේ āļĸāļēāļą්āļ­ āļ´ාāļ´ āļ¸ිāļ­්‍āļģ āļ‡āˇƒුāļģāļ§ āˇ€ැāļ§ීāļ¸āļ­් ⎃āļ¸āļœ āļē.

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                         " āļšāˇ€ා....āļŊා.......⎀ි⎅āļŗ āļĸා...āļ­ී......
                            āļ‡āļ­ි āļšāˇ…ා..........āļģāļą් āļšූ....āļŠු⎀ේ   āļœිāļģ⎀ා...."

                 āļ‰āļą්āļ¯ි āļ­āļ¸ āˇƒāļ­් āļ¸āˇƒ් ⎀ූ āļ¯āļģු āļœැāļļ āļ”āˇƒāˇ€ාāļœෙāļą  āļ´ැāļ¸ීāļĢ  āļ¯ොāļģ ⎀ි⎀āļģ āļšāˇ…ේ  āļ­āļ¸ āˇƒැāļ¸ිāļēාāļœේ ⎄āļŦ āļ‡āˇƒූ  āļąි⎃ා⎀ෙāļąි. āļąො⎃ිāļ­ූ  āļ´āļģිāļ¯ි āļšāļŠා ⎀ැāļ§ුāļĢු āļ…āļšුāļĢු āļ´āˇ„āļģāļš āļ†āļŊෝāļšāļēෙāļą් ⎃āļŸāļēāļą් āļšීāļ´ āļ¯ෙāļąෙāļšු ⎃āļ¸āļœ āˇ€ැāļąි ⎀ැāļąී āļ´ැāļ¸ිāļĢෙāļą āļ­āļ¸ āˇƒැāļ¸ිāļēා āļ¯ුāļ§ු āļ‡āļē āļ­්‍āļģ⎃්āļ­ āˇ€ිāļē.

                        "āļ¯ෙāļēි ⎄ාāļ¸ුāļ¯ුāļģු⎀āļąේ.............āļĸāļēේ..āļ”āļēා āļļීāļŊා āļąේāļ¯?"

         āļ‰āļą්āļ¯ි āļšෑ āļœāˇƒāļ¸ිāļą් āļœො⎃් āļ­āļ¸ āˇƒැāļ¸ිāļēා āļ…āļŊ්āļŊා āļœāļ­්āļ­ා āļē.

                            " āļ…⎄āļšāļ§ āˇ€ෙāļēං āļœෑāļąිāļēේ"

                           āļĸāļēāļą්āļ­ āļ­āļ¸ āļļිāļģිāļŗ āļ´āˇƒෙāļšāļ§ āļ­āļŊ්āļŊුāļšāļģ āļ¯ැāļ¸ු⎀ේ āļ­āˇ€ āļ¯ෙāļ¸āˇƒāļšිāļą් āļ¯āļģැ⎀āļšු āļ¸ෙāļŊො⎀āļ§ āļļි⎄ි āļšිāļģීāļ¸āļ§  āˇƒිāļ§ිāļą āļ¸āˇ€āļš් āļŊෙāˇƒāˇ€āļ­් āļąො⎃āļŊāļšāļ¸ිāļąි.āļ‰āļą්āļ¯ි āļ‘āļ¸ āļ´āˇ„āļģ āļ¯āļģාāļœāļ­ āļąො⎄ැāļšි ⎀ ⎀ි⎃ි⎀ී āļœො⎃් āļļිāļ¸ āļ‡āļ¯ āˇ€ැāļ§ුāļĢි.⎄ි⎃ āļ¯ āļ…āˇƒāˇ… ⎀ූ āļ¸ේ⎃ āļšāļšුāļŊāļš  āˇ€ැāļ¯ී āļŊේ āļļිāļŗු āļšීāļ´āļēāļš් āļąāˇ…āļŊ āļ¯ිāļœේ āļģූāļģා ⎀ැāļ§ෙāļą්āļąāļ§ āˇ€ිāļē.

                             āļ…āļą්āļ°āļšාāļģāļēෙāļą් ⎀ෙāļŊාāļœāļ­් āļ¸ු⎅ු āļ´āļģි⎃āļģāļēāļ¸ āļąොāļąāˇ€āļ­්⎀ා āļąāļœāļą āļ…āļšුāļĢු āļ´āˇ„āļģිāļą් āļœිāļœුāļģුāļ¸් āļ¯ෙāļą්āļąāļ§ āˇ€ිāļē.āļ…āļ­āļģිāļą් āļ´āļ­āļģ ⎀ැāļ§ුāļĢු ⎀ැ⎃ි āļ´ොāļ¯ āļ¸ොāļģ ⎃ූāļģāļą āˇ€āļģ්⎂ා⎀āļš් āļļ⎀āļ§ āļ´āļģි⎀āļģ්āļ­āļąāļē ⎀ූāļēෙāļą් āļ’ āˇ€āļąāˇ€ිāļ§āļ­් āļ‹āˇ…ු ⎀⎄āļŊāļēෙāļą් āļąැāļœුāļĢු āļ´ිāļąි āļļිāļŗු āļ¯ිāļē āļ´āˇ„āļģāļš් ⎀ී ⎃ිāļ¸ෙāļą්āļ­ි āļ´ො⎅⎀ āļ¸āļ­ිāļą් āļœāļŊා āļœිāļēේ āļšāļŠිāļ¸ුāļŠිāļēේ āļœුāļŊ ⎀ෙāļ­ āļ‡āļ¯ෙāļą āļšු⎄ුāļšු āļģැ⎅āļš් āļ¸ෙāļąි.

                              ⎃ෑāļ¸ āļ¯ිāļąāļšāļ¸ āļ¸āļ­්āļ´ැāļą් āļ­ොāļŊ āļœාāļ¸ිāļą් āļąිāˇ€āˇƒāļ§ āļ´ැāļ¸ිāļĢීāļ¸ āļ”⎄ුāļœේ āļ¯ෛāļąිāļš āļģාāļĸāļšාāļģිāļē ⎀ිāļē.⎄ිāļ­්āļ´ිāļ­් āļąැāļ­ි ⎀ූ⎀āļšු āļ¸ෙāļą් āļ­āļ¸ āļ…⎄ිං⎃āļš āļļිāļģිāļŗāļ§āļ­් ⎄āļēāļš් ⎄āļ­āļģāļš් āļąොāļ¯āļ­් āļ¯āļģු⎀ාāļ§āļ­් āļ­āļŊා āļ´ෙ⎅āļą්āļąāļ§ āļ­āļģāļ¸් āļ”⎄ු āļ…āļ¸āļąු⎂්‍āļēāļēāļšු ⎀ිāļē.āļĸāļēāļą්āļ­āļœේ āļ¸ āļšāļ´ාāļ´ු āļ´āļŊු⎀āļš් ⎀ූ āļšොāļŊු āļ´ැāļ§ිāļēා ⎃ිāļē āļ´ිāļēාāļœේ ⎄āļŦ āļ‡āˇƒුāļĢු ⎀ිāļœāˇƒāļ¸ āļ¯ි⎀āļœො⎃් āļ¸ේ⎃āļē āļēāļ§ āļœුāļŊි ⎀ී ⎃ිāļ§ිāļēි.āļ­āļ¸ āļļිāļģිāļŗāļœේ āļšෙ⎃් ⎀ැāļ§ිāļēෙāļą් āļ…āļŊ්āļŊා āļ´āˇ„āļģ āļ¯ෙāļą āˇ€ිāļ§ āļ‡āļē āļąāļœāļą āˇ€ිāļŊාāļ´āļē āļ‡āˇƒී āļ…āˇƒāˇ… āļąි⎀ැ⎃ිāļēෝ āļ‡āļē⎀ āļļේāļģා āļœැāļąීāļ¸āļ§ āļ¸ැāļ¯ි⎄āļ­් ⎀āļą āˇ€ිāļ§ āļĸāļēāļą්āļ­ āļ‘⎀ුāļą් āļ´āļą්āļąා āļ¯ැāļ¸ු⎀ේ āļ…āļ¸ු āļ­ිāļ­්āļ­ āļšුāļĢු⎄āļģāļ´ āļ¯ āļ´āˇ€āˇƒāļ¸ිāļąි.

                    "āļąොāļ¯āļšිං āļąො⎃āļĢ්āļŠාāļŊāļēා.....āļœිāļąි ⎀āļ­ුāļģ āļœිāļŊāļŊා āļ‡āˇ€ිāļ­් āļ…āļģ āļ…⎄ිං⎃āļš āļœෑāļąි⎀ āļ¸āļģා āļœāļą්āļą āˇ„āļ¯āļąāˇ€ා"

                    āļ‰āļą්āļ¯ිāļœේ āˇƒāˇ„ාāļēāļ§ āļ´ැāļ¸ිāļĢි āļšු⎃ුāļ¸āļŊāļ­ාāļ­්, āļŊāļŊිāļ­ාāļ­්,⎃āļģāļĢāļ´ාāļŊāļ­් āļ†āļ´āˇƒු āļ­āļ¸ āļąි⎀ෙ⎃්⎀āļŊāļ§ āļ‡āļ¯ුāļĢේ āļĸāļēāļą්āļ­āļ§ āļ¯ෙ⎃් āļ¯ෙ⎀ොāļŊ් āļšිāļēāļ¸ිāļąි.

                       "āļ…āļąේ  āļ…āļ¸්āļ¸ේ.......... āļ¸āļœේ āļ”⎅ු⎀ āļ´ුāļ´ුāļģāļą්āļą āļģිāļ¯ෙāļąāˇ€ා"

                      āļ¯ිāļąāļš් āļ‰āļą්āļ¯ි āļ­āļ¸ āˇ„ි⎃ āļ­āļ¯ිāļą් āļļāļ¯ා āļœāļąිāļ¸ිāļą් āļ‡āļŗෙ⎄ිāļ¸ āˇ€ාāļŠි ⎀ිāļē.āļ‡āļŗෙ⎄ි āļ‹āļŠුāļšුāļģු⎀ ⎀ැāļ­ිāļģ ⎃ිāļ§ි āļĸāļēāļą්āļ­ āļ…⎀āļ¯ි ⎀ූāļēේ āļ‡āļēāļœේ ⎀ිāļŊාāļ´āļē āļ‡āˇƒීāļē.āļ”⎄ු āļ¸ෙāļŊෙ⎃ āļ­āļ¸ āļļිāļģිāļŗ āˇ„ැ⎃ිāļģෙāļąāˇ€ා āļ¯ුāļ§ු āļ´්‍āļģāļŽāļ¸ āļ…āˇ€āˇƒ්āļ­ා⎀ āļąො⎀ේ.āļ¸ීāļ§ āļ´ෙāļģ āļ¯ āļ¯ෙ⎀āļģāļš් āļ¸ෙāļŊෙ⎃āļ¸ āļ‡āļē ⎄ැ⎃ිāļģැāļĢු āļ…āļ­āļģ āļ‡āļ­ැāļ¸් āļ…āˇ€āˇƒ්āļŽා⎀āļš āˇƒි⎄ි⎃ුāļą්⎀ āļ¯ āļ‡āļ¯ āˇ€ැāļ§ුāļĢි.āļļිāļēāļ§ āļ´āļ­් āļĸāļēāļą්āļ­ āļ‡āļē⎀ ⎀ෛāļ¯āļē⎀āļģāļēāļšු ⎀ෙāļ­ āļšැāļŗāˇ€ාāļœෙāļą āļœිāļē āļ…āļ­āļģ āļ‡āļē āļąැ⎀āļ­āļ­් āļœැāļļāļ… āļœෙāļą āļ‡āļ­ි āļļ⎀ āļ‘⎄ිāļ¯ී ⎃āļąාāļŽ āˇ€ිāļē.āļ‘āļē āļ‡āˇƒූ āļĸāļēāļą්āļ­ āļ‡āļē āļšැāļŗāˇ€ාāļœෙāļą āļąිāˇ€āˇƒāļ§ āļ´ැāļ¸ිāļĢිāļēේ āļ¯āļ­්āļ¸ිāļ§ි āļšāļ¸ිāļą් āļœොāļģ⎀āļ¸ිāļą් āļē.

                 " āļ¯ෙ⎄ āļšāļ´āļą්āļą āļšිāļē āļšිāļēා āļšāļ§්āļ§āļŠිāļēා ⎅āļŸāļ§ āļœි⎄ිං āļ­ෝ āļ•āļš āļ¯ āļšāļģ āļœāļ­්āļ­ේ? "

                    āļĸāļēāļą්āļ­ āˇƒිāļē ⎁āļš්āļ­ිāļ¸āļ­් āļ¯āļšුāļĢāļ­ āļ‰āļą්āļ¯ිāļœේ āļ¸ු⎄ුāļĢ āˇ„āļģ⎄ා āļēැ⎀ූāļēේ āļ‡āļē āļ´ො⎅⎀ āļ¸āļ­āļ§āļ¸ āļ´āļ­ිāļ­ āˇ€āļą āļ­āļģāļ¸් ⎀ේāļœāļēෙāļąි.

                      "āļ¯ෙāļēිāļēāļąේ........āļ¸ොāļąāˇ€āļ¯ āļ¸ේ āļšිāļēāļą āļ´ො⎅⎀ āļąු⎄ුāļŊāļą āļšāļ­ා.āļ’ āļ¸āļąු⎃්⎃āļēා āļģāļ­්āļ­āļģං ⎀āļ§ිāļą                                      āļ¸āļąු⎃්⎃āļēෙāļš්."

                        āļ‰āļąිāļ¯ි āļ­āļ¸ āļ¯ෑ⎃ිāļą් āļąැāļœුāļĢු āļšāļŗු⎅ු āļšැāļ§ āļ´ි⎃ āļ¯ැāļ¸ු⎀ේ āļ­āļ¸ා ⎄ා āļšāļ§්āļ§āļŠිāļēා ⎃āļ¸්āļļāļą්āļ° āļšොāļ§ āļąāļœāļą āļļොāļģු āļ ෝāļ¯āļąා⎀āļą්āļ§ āˇƒාāļ´ āļšāļģāļ¸ිāļąි. āļ‡āļē ⎃ිāļē āļ´āˇ€ුāļŊේ āˇ€āˇƒ් āļ¯ො⎃් āļēāļą්āļąāļ§ āļ¯ෙ⎄ි āļšāļ´්āļ´āˇ€ා āļœැāļąීāļ¸ āˇƒāļŗāˇ„ා ⎀āļģāļš් āļšāļ§්āļ§āļŠිāļēා ⎄āļ¸ු⎀āļ§ āļēාāļ¸   āļ´ි⎅ිāļļāļŗ āļĸāļēāļą්āļ­ āļ´āˇƒු ⎀ූāļēේ āļ¯්⎀ේ⎂āļēෙāļąි.āļ‡āˇ€ිāļŊෙāļą āļœිāļą්āļąāļ§ āļ´ිāļ¯ුāļģු āļ¯āļ¸āļą්āļąāļ§ āļ•āļąෑ āļ­āļģāļ¸් ⎃āļŸāļēāļą් āļĸāļēāļą්āļ­āļ§ āˇƒිāļ§ිāļēි.āļ¸āˇ„ ⎄āļŦ āļ­āļŊāļ¸ිāļą් ⎃ිāļąා⎃ෙāļ¸ිāļą් ,āļ¯āļ­් ⎀ිāļŊි⎃්⎃āļ¸ිāļą් āļ­āļ¸ āļļේāļļāļ¯ු ⎃āļŸāļēāļą් āļ´āˇ€āˇƒāļą āļ¸ු⎃ා āļļ⎃් āļ”⎄ු āļ´ි⎅ිāļœāļ­්āļ­ේ ⎃ාāļ¯ු ⎃ිāļ­ිāļąි. āļąිāˇ€āˇƒāļ§ āļœො⎃් āļ´ිāļģිāļŗāļ§ āļ´āˇ„āļģ āļ¯ෙāļ¸ිāļą් āļēāļšා āļąāļ§āļą āļĸāļēāļą්āļ­ āļ¯ෙ⎃ āļļāļŊāļ¸ිāļą් ⎃ිāļąා⎃ෙāļą්āļąāļ§ āļ­āļģāļ¸් āļ”⎄ුāļœේ āļšාāļŊāļšāļĢ්āļĢි āļļේāļļāļ¯ු āļē⎄⎅ු⎀ෝ āļ´āˇ„āļ­් āļ†āˇා⎀āļą්āļœෙāļą් āļēුāļ­ු ⎀ූ⎄.

                              " āļ…āļąේ..........āļ…āļģ āļ¸ිāļąි⎄ා āļ¸āļœේ āļąංāļœි⎀ āļ¸āļģාāļœෙāļą āļšāļą්āļą āˇ„āļ¯āļą්āļąේ...."

                          āļ‰āļąිāļ¯ිāļœේ ⎃ොāļēුāļģිāļē āļ…āˇƒීāļ¸ිāļ­ āˇ€ූ āˇƒāˇ„ෝāļ¯āļģ āļ´්‍āļģේāļ¸āļēෙāļą් āļ‡āļē⎀ āļļේāļģා āļœැāļąිāļ¸āļ§ āļ­ැāļ­් āļšāˇ… āļ¯ āļĸāļēāļą්āļ­ āļ”⎀ුāļą් ⎄āļ§ āļ­āļ¸ āļąිāˇ€āˇƒāļ§ āļąොāļ´ැāļ¸ිāļĢෙāļą āļŊෙ⎃ āļ­āļģ්āļĸāļąāļē āļšāļģ āļ­ිāļļුāļĢි.

                                 "āļ…āļąේ āļ…āļ¸්āļ¸ේ.........āļ¸āļœේ āļ”⎅ු⎀"

                             āļ¯ෙ⎀āļąි āļ¯āļģු⎀ා āļ¯ āļļි⎄ි āļšāļģ āˇ€āˇƒāļģāļšāļ§ āļ†āˇƒāļą්āļą āˇ€ු⎀ āļ¯ āļ‡āļēāļœේ ⎄ි⎃ේ āļģුāļ¯ා⎀ āˇƒāˇ„ ⎃ි⎄ි⎃ුāļą් ⎀ීāļ¸ āļ…āļŠු ⎀ූāļēේ āļąැāļ­.āļ‡āļē āļąිāļ­āļģ āļąිāļ­āļģ ⎃ි⎄ි⎃ුāļą් ⎀ී āļ‡āļ¯ āˇ€ැāļ§ෙāļą්āļąāļ§ āļ´āļ§āļą් āļœāļ­්āļ­ා āļē.āļąāļ¸ුāļ­් āļĸāļēāļą්āļ­ āļļේāļļāļ¯්āļ¯ෙāļšු ⎀ී ⎃ිāļ§ිāļēා āļ¸ි⎃ āļ­āļ¸ āļąි⎀ැ⎃ිāļēāļą් āļ´ි⎅ිāļļāļŗ āˇƒොāļēා āļļැāļŊු⎀ේ āļ¸ āļąැāļ­.āļœāļ¸ āļ´ුāļģාāļ¸ āļ‡āļēāļœේ āļ…āˇƒāļąිāļ´ āˇ€ීāļ¸ āļ´ි⎅ිāļļāļŗ āļąොāļēෙāļš් āļ…āļą්āļ¯āļ¸ිāļą් āļšāļ§ āļšāļ­ා āļ´ැāļ­ිāļģ āļœිāļēේ āļ…āˇƒුāļģු ⎃ැāļĢිāļąි.

                        " āļ…āļąේ āļ…⎄ං⎃āļš āļšෙāļŊ්āļŊ.⎀ැāļŠි ⎀āļē⎃āļšුāļ­් āļąෑ āļąෙ⎀."

                        "āļ…āļąේ āļ¸ෙ⎄ෙāļ¸āļ­් āļšāļģුāļ¸āļēāļš්.āļ…āļģ āļ¸ිāļąි⎄ා āļļීāļŊා āļ‡āˇ€ිāļ­් āļœෑāļąිāļ§ āļ­āļŠිāļļාāļą āˇ€ිāļ¯ි⎄āļ§ āļ¸ෙ⎄ෙāļ¸ āˇ„āļģි                                   āļ‰āļą්āļąāˇ€ා āļ´ුāļ¯ුāļ¸āļēāļš්."                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        



















                      "⎃āļŊා..........ං  "

                  āļ­āļ¸ āļļි⎅ිāļŗා āļ…āļ­āļ§ āļœāļą්āļąāˇ€ාāļ­් ⎃āļ¸āļœāļ¸ āļļāļ­් āļ´ිāļŸාāļą āļļිāļ¸ āļ´āļ­ිāļ­ āˇ€āļą āˇ„āļŦ āļ‡āļœේ āļ¯ෙāˇƒāˇ€āļąāļ§ āļēොāļ¸ු ⎀ු⎀ āļ¯ āļ‘āļ¸ āˇ„āļŦ āļ‡āļēāļ§ āļ¯ැāļą් āļąු⎄ුāļģු āļąුāļ´ුāļģුāļ¯ු āļąො⎀ූ⎀āļšි.āļ­āļ¸ āļļි⎅ිāļŗා āļ‡āļšāļēෙ⎄ි ⎄ො⎀ා āļœāļąිāļ¸ිāļą් āļŊෑāļŊි āļ‡āļŗ āļ¸āļ­ āˇƒු⎀ āļąිāļą්āļ¯āļš āˇƒිāļ§ිāļą āļ­āļ¸ āļ­ෙ⎄ැ⎀ිāļģිāļ¯ි ⎀ැāļŠිāļ¸āˇ„āļŊ් āļ´ුāļ­ු āļ¯ෙ⎃ ⎃ෙāļąෙ⎄ෙāļļāļģ āļļැāļŊ්āļ¸āļš් ⎄ෙ⎅ු⎀ා āļē.

                   āļ‰āļą්āļ¯ි ⎄ා āļĸāļēāļą්āļ­ āˇ€ි⎀ා⎄ ⎀ූāļēේ āļ¸ීāļ§ āˇƒි⎀් āļ…⎀ුāļģැāļ¯්āļ¯āļšāļ§ āļ´ෙāļģ āļ¯ී āļē.āļĸāļēāļą්āļ­ āļ‰āļą්āļ¯ිāļ§ āˇ€āļŠා āļ¯āˇƒ āļ…⎀ුāļģුāļ¯්āļ¯āļš් ⎀ැāļŠිāļ¸āˇ„āļŊ් ⎀ිāļē. āļąāļ¸ුāļ­් āļ‘āļ¸ āˇ€āļē⎃් āļ´āļģāļ­āļģāļē āļ”⎀ුāļą් āļ¯ෙāļ¯ෙāļąාāļœේ āļ†āļ¯āļģāļēāļ§ āļļාāļ°ා⎀āļš් āļąො⎀ීāļē.āļ¯ෙāļ¯ෙāļąා ⎄āļ¸ු⎀ූāļēේ āļ¸ීāļ§ āˇ€āˇƒāļģ āļ…āļ§āļšāļ§ āļ‰āˇ„āļ­ āļ¯ී āļē. āļ­āļ¸ āˇ€ැāļŠිāļ¸āˇ„āļŊ් ⎃ොāļēුāļģිāļēāļœේ āļąිāˇ€āˇƒāļ§ āļ´ැāļ¸ිāļĢි āļ‰āļą්āļ¯ිāļ§ āļĸāļēāļą්āļ­āˇ€ āļ¸ුāļŊ්āļ¸ āˇ€āļ­ා⎀āļ§ āˇ„āļ¸ු ⎀ිāļē.

                  āļ¯āļģු⎀āļą් āļ­ිāļ¯ෙāļąෙāļšුāļœෙāļą් ⎃āļ¸āļą්⎀ිāļ­ āļ´āˇ€ුāļŊේ āļļāļŠāļ´ි⎃්⎃ා ⎀ූ āļĸāļēāļą්āļ­ āļ‹āˇƒāļ§ āˇƒāļģිāļŊāļą āļ¯ේ⎄āļēāļš් ⎄ිāļ¸ි  āļšāļŠāˇ€āˇƒāļ¸් āļ­āļģුāļĢāļēෙāļšි.- āļ‰āļą්āļ¯ි āļ¯ āļšාāļą්āļ­ා⎀āļšāļ§ āļ­ිāļļිāļē āļēුāļ­ු āļ¸āļąා āļ…āļŸāļ´āˇƒāļŸāļšිāļą් āļēුāļ­් āļ¯ුāļ§ු⎀āļą්āļœේ āļ†āļšāļģ්⎂āļĢāļē ⎄ිāļ¸ි ⎀āļą āļ´ැāļŸිāļģි ⎀ිāļēේ āļ´āˇƒු ⎀ූ āļēු⎀āļ­ිāļēāļšි.āļ‡āļēāļœේ āļ¯ෙāļ¸āˇ€්āļ´ිāļēāļą් āļ‡āļēāļ§ āļ´ෞāļ¯්āļœāļŊිāļš āļ†āļēāļ­āļąāļēāļš āļģැāļšිāļēා⎀āļš āļąිāļģāļ­ āˇ€āļą āļ­āļģුāļĢāļēāļšු āļēෝāļĸāļąා āļšāļģ āļ­ිāļļුāļĢ āļ¯ āļ‡āļē āļ‘āļ¸ āļēෝāļĸāļąා⎀ āļ´්‍āļģāļ­ිāļš්⎂ේāļ´ āļšāˇ…ේ āļ’ āˇ€āļąāˇ€ිāļ§āļ­් āļ‡āļēāļœේ ⎃ිāļ­්āļœāļ­් āļšුāļ¸āļģාāļ§  āļ­āļ¸ āļšු⎅ුāļŗුāļŊ් āļ´්‍āļģේāļ¸āļē āļ´ූāļĸාāļšāļģ āļ­ිāļļූ āļļැ⎀ිāļąි.āļąි⎀ැ⎃ිāļēāļą්āļ§ āˇ„ොāļģා āļ¯āˇ…ුāļŊා ⎀ැāļŠෙāļ¸ිāļą් āļ­ිāļļූ āļ¸ෙāļ¸ āļ´්‍āļģේāļ¸ āˇƒāļļāļŗāļ­ා⎀ āļšāļŊ්āļœāļ­ āˇ€āļą āˇ€ිāļ§ āļšාāļ§āļ­් āļģāˇ„āˇƒāļš් āļąො⎀ීāļē.

                       "āļ…āļąේ āļ´ුāļ­ේ.... āļ‹āļšāļ§ āļ’ āļ¸āļąු⎃්⎃āļēා āļœැ⎅āļ´ෙāļą්āļąේ āļąෑ.āļŒ āļ¸āˇ„ āļąා⎄ෙāļ§ āļ…⎄āļą්āļąැāļ­ි āļ‘āļšා."

           
                  " āļ­āļąි⎀āļēි āļ‹āļ´āļą්āļąේ ..............   āļ­āļąි⎀āļēි āļ¸ැāļģෙāļą්āļąේ ..................
                    āļ¸ේ āļŠිංāļœෙāļ¯ී āļ‡āļēි āļšෝ⎅ං āļąāļ§āļą්āļąේ.............  āļšෝ⎅ං āļąāļ§āļą්āļąේ........"

                  āļ­āļ¸ āˇƒැāļ¸ිāļēා āļąොāļąāˇ€āļ­්⎀ාāļ¸ āļ´āˇ€āˇƒāļą āļœීāļ­āļēāļ§ āˇƒāˇ€āļą් āļēොāļ¸ු āļšāļģāļ¸ිāļą්āļ¸ āļģො⎃් ⎀ූ ⎀ෑංāļĸāļąāļē āˇƒāˇ„ිāļ­ āļļāļ­් āļ´ිāļŸාāļąāļš්  āļļෙāļ¯ාāļœෙāļą āļœො⎃් āļ´ුāļ§ු⎀ āļ¸āļ­ āˇ€ැāļ§ී ⎃ිāļ§ි āļ­āļ¸ āˇƒැāļ¸ිāļēාāļ§ āļ´ෑ⎀ාāļē.

                 " āļ­ු⎄් ... āļąොāļ¯āļšිං.āļ¸ේ⎀ා āļ¸āļąු⎃්⎃āļēāļšුāļ§ āļ­ිāļēා āļļāļŊ්āļŊෙāļšුāļ§āˇ€āļ­් āļšāļ§ේ āļ­ිāļēāļą්āļą āļ´ු⎅ු⎀āļą් āļ¯?
                     āļˆ...āļļං āļœෑāļąිāļēෙ.āļ‹āļšāļ§ āļļැāļģිāļ¯ āļšāļ§āļ§ āļģ⎄āļ§ āļšāļą්āļą āļšāļ§āļš් āļ‹āļēāļŊ āļ­ිāļēāļą්āļą "

                        āļĸāļēāļą්āļ­ āļ´ැāˇ€āˇƒු⎀ේ āļ¯āļ­් ⎀ිāļŊි⎃්⎃ා āļēāļš්⎂āļēāļšු āļ´āļģිāļ¯්āļ¯ෙāļąි.

                  "⎄්āļ¸්.....āļšāļ§āļ§  āļģ⎄āļ§ ....āļšāļ§āļ§ āļģ⎄āļ§  āļ‹āļēāļŊා āļ¯ෙāļą්āļą āļ­ිāļļුāļĢා
                      āļšāļģāļ´ිංāļ ා āļąāļ§්āļ§āļš්⎀āļ­්   āļœෙāļ¯āļģ āļ­ිāļļුāļĢා āļąāļ¸්"

                  "āļ‡āļēි  āļ¯ෙāļēිāļēāļąේ āļ¸ං āļšිāļēāļŊා āļ¸ොāļąāˇ€ා āļšāļģāļą්āļą āļ¯?.....
                     āļģෑ ⎀ෙāļąāļšොāļ§ āļšāļ§ āļœොāļą්āļąāļš් āļļීāļœෙāļą āļ‡āˇ€ිāļ­් āļ¸ෙāļ­āļą āˇ€āļŊි āļšāļąāˇ€ා."

                     āļ‰āļą්āļ¯ි āļ­āļ¸ āļ¯ෑ⎃ිāļą් ⎀ැāļ§ෙāļą āļšāļŗු⎅ු āļšැāļ§ āļ­āļ¸ āļ¯ුāļģ්⎀āļģ්āļĢ āˇ€ී āļœිāļē āļœāˇ€ුāļ¸ෙ⎄ි āļ…āļ­ිāļą් āļ´ි⎃ āļ¯āļ¸āļ¸ිāļą් āļšාāļ¸āļģāļē ⎀ෙāļ­ āļ¯ි⎀ āļœිāļēේ āļ­āļ¸ āˇ€āˇƒāļģāļš් āļ´ිāļģි āļļි⎅ිāļŗාāļœේ āļąොāļąැ⎀ැāļ­්⎀ූ ⎄ැāļŦීāļ¸ āļąි⎃ා āļē.